My work draws from the language of dreams—fragmented, symbolic, and emotionally charged. In painting, I use color blocks and found images to build shifting narratives that mirror the way dreams move between clarity and distortion. Each element is placed deliberately, yet the story remains elusive, like chasing meaning in the moment of waking.

The color blocks serve as anchors for the emotional tone of the dream. Their hues reflect the atmosphere of the subconscious: muted tones may suggest distance, melancholy, or longing, while vivid, saturated colors signal intensity, unease, or urgency. These fields of color become psychological landscapes, shaping how the fragments of image and form are perceived.

Dreams often resist logic, leaving behind impressions, blank spots, and flashes of recognition. My paintings embrace that instability. Found images drift in and out of context; blocks of color conceal as much as they reveal; absences carry as much weight as what remains visible.

By piecing together these fragments, I seek not to reconstruct a dream but to hold its unsettled energy—the feeling of a missing puzzle piece, the lingering tension of an image without explanation. My work invites viewers into this dream state, where meaning hovers in the space between presence and absence, recognition and uncertainty.